One’s about losing their mind over acceptance; the other’s about losing their acceptance and minding it terribly.
‘Malayankunju’ is swathed in the claustrophobic robes of a survival thriller, but dig deeper and you’ll find some troubling allegories.
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Severance is a finely tuned thriller that traces the arc of hapless employees and their cubicled lives. Brace for chilling memories. Or not.
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Delhi Crime 2 is a disturbing, visceral look at our rapidly evolving and devolving society’s cleaved biases and financial strata.
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‘19 (1) (a)’ is debutant director Indhu V.S.’s ruminating, pensive look at the power of words in the face of vile forces.
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Two Malayalam movie titles. Separated by a letter. United by powerful storytelling.
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Director Jasmeet K. Reen triumphs with a scintillating debut that’s a black welt of a comedy to encompass a dark domestic truth.
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Director Anubhav Sinha’s most ambitious outing raises questions that disturb, confound, and trouble.
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Thar and The Underground Railroad: from gore to magical swirls of human struggles.
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Puzhu is director Ratheena and Mammootty’s subtle master class in the devastating effects of bias and bigotry.
