No matter how its political stance has morphed in a polarised and acidic world, ‘Munich’ is still chillingly relevant.
‘Haseen Dillruba’ is an uneven, ultimately unsatisfying look at fraught relationships. It falls in love with its own twist much too soon, much too deep.
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Seven numbers to celebrate Pancham. Seven sparks. Seven stars. Seven notes.
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Director Amit Masurkar creates an understated drama about the politics of equilibrium that extracts a deadly price from nature’s finely balanced system.
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The second season ups the ante in a taut outing where everyone’s struggling to figure out their own space. Plus, it raises some questions about the art of making political thrillers and make up.
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Writer-director Chaitanya Tamhane delivers a meditative, poignant take on the quest for perfection. We may not find it where we want it.
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Director Chloé Zhao and actor Frances McDormand set out on a lonely road of self-discovery that’s as revealing as it is instructive.
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Director Dileesh Pothan uses sly machinations to create a tight, moody drama that’s a daydreamer’s nightmare.
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‘The Serpent’ is a slick-fest, riding on some terrific performances, an uneasy score, and a time-jumping story-telling technique. Like its subject, it throws you off and then seduces you.
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Writer-director Abhijeet Mohan Warang spotlights the life and struggles of folk artists. And yet, your heart doesn’t sink. It soars with this lovely offering, where life and mythology deliver lessons for each other.
