There’s something intimately familiar and hence moving about Saving Mr. Banks. Plus, there’s Emma Thompson and Tom Hanks.
A glacially progressing look at intimate relationships, Aarkkariyam is a beautiful look at how well we know our loved ones. Or not.
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Bhuj: The Pride of India takes a real-life human interest drama and turns it into listless and disingenuous cinema.
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Rojo takes a still, unnerving look at middle-class society’s human reaction to political turmoil.
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No matter how its political stance has morphed in a polarised and acidic world, ‘Munich’ is still chillingly relevant.
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‘Haseen Dillruba’ is an uneven, ultimately unsatisfying look at fraught relationships. It falls in love with its own twist much too soon, much too deep.
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Seven numbers to celebrate Pancham. Seven sparks. Seven stars. Seven notes.
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Director Amit Masurkar creates an understated drama about the politics of equilibrium that extracts a deadly price from nature’s finely balanced system.
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The second season ups the ante in a taut outing where everyone’s struggling to figure out their own space. Plus, it raises some questions about the art of making political thrillers and make up.
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Writer-director Chaitanya Tamhane delivers a meditative, poignant take on the quest for perfection. We may not find it where we want it.
