Meenakshi Sundareshwar, while light-touch and amiable, misses smack urgency and fun for a safe, slow walk.
Sardar Udham is a riveting and stunning story of one of India’s lesser documented revolutionaries. Vicky Kaushal turns in his finest yet.
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From his score for Ghungroo Ki Awaaz, Rahul Dev Burman creates this sinking-into-despair beauty that’s tightly knit into a musical form.
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The Father is a brutal watch. It’s unnerving, painful, and yet hypnotic. And it’s scary as hell. Plus, Anthony Hopkins is devastating.
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There’s something intimately familiar and hence moving about Saving Mr. Banks. Plus, there’s Emma Thompson and Tom Hanks.
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A glacially progressing look at intimate relationships, Aarkkariyam is a beautiful look at how well we know our loved ones. Or not.
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Bhuj: The Pride of India takes a real-life human interest drama and turns it into listless and disingenuous cinema.
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Rojo takes a still, unnerving look at middle-class society’s human reaction to political turmoil.
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No matter how its political stance has morphed in a polarised and acidic world, ‘Munich’ is still chillingly relevant.
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‘Haseen Dillruba’ is an uneven, ultimately unsatisfying look at fraught relationships. It falls in love with its own twist much too soon, much too deep.
