Bhuj: The Pride of India takes a real-life human interest drama and turns it into listless and disingenuous cinema.
Rojo takes a still, unnerving look at middle-class society’s human reaction to political turmoil.
No matter how its political stance has morphed in a polarised and acidic world, ‘Munich’ is still chillingly relevant.
‘Haseen Dillruba’ is an uneven, ultimately unsatisfying look at fraught relationships. It falls in love with its own twist much too soon, much too deep.
Director Amit Masurkar creates an understated drama about the politics of equilibrium that extracts a deadly price from nature’s finely balanced system.
Writer-director Chaitanya Tamhane delivers a meditative, poignant take on the quest for perfection. We may not find it where we want it.
Amazon Prime’s five-story anthology couldn’t have been timed better. Even if it’s uneven in segments, when it soars, it flies.
Writer-director Aaron Sorkin narrates a compelling, entertaining, and terrifying relevant story that shines to become one of 2020’s important movies.
Director Björn Runge sets up a complex marital drama piece that’s as devastating as it is liberating.
Quentin Tarantino loves his movies. He loves Hollywood. And like all of us about so many things in our lives, he wishes things would have turned out differently.