The second season ups the ante in a taut outing where everyone’s struggling to figure out their own space. Plus, it raises some questions about the art of making political thrillers and make up.
With writer Suman Kumar, directors Raj Nidimoru and Krishna D.K. spin out a series that’s a zinger for the most part. ‘The Family Man’ soars when it swoops down to the minutiae of everyday life. And Manoj Bajpayee is its trump card—he sure can hide those lyin’ eyes.
A Gentleman moves swiftly, bunging and valencing all these characters into action using a plot that’s mostly an excuse for fun and some collar-breaking martial arts, some office bobbery, and even a dead body being dragged around a house to avoid detection.