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‘Mark Felt: The Man Who Brought Down the White House’ review

Reading Time: 2 minutes An intriguing true story brought to screen minus the paranoia and thrum you expect of such an enterprise.

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‘Manikarnika: The Queen of Jhansi’ review: Blaze of Glory

Reading Time: 4 minutes Kangana Ranaut is so movingly magnificent, she earns this review an extra point. In a movie not without flaws, hers is an act that’s packed with sizzling energy and ferociousness; she touches you and stuns you all at the same time. In perhaps what is fitting irony and tribute, the queen’s (Ranilaxmi’s, not Ranaut’s blockbuster movie) fight against patriarchy and society’s campy behavior is what the actress faced in real life to complete this movie, and that’s the negative energy she seems to turn around and harness to blaze ahead in this project.

‘Ani…Dr. Kashinath Ghanekar’ review: A Blaze of Self-Destruction

Reading Time: 6 minutes How do you capture the zest and madness of an actor who lived life on his terms, even if those terms meant hellish conditions for those around him? How do you get the mania onscreen that Marathi stage’s first (and perhaps only) superstar evoked amongst his audience? Director Abhijeet Deshpande and actor Subodh Bhave do a stupendous job in doing all of this and more. In a movie whose title means listing its subject at the end of the credits, it’s a first amongst Indian actors’ biopics.

‘Soorma’ review: Love, Actually

Reading Time: 5 minutes Director Shaad Ali makes some unusual choices in the way he depicts the real-life story of hockey player Sandeep Singh. Which also means that he pulls punches where he ought to have bruised, dulling some of the grit and glossing over the darker details of a struggle that must’ve been nerve-and-mind wracking . But with some glorious performances, “Soorma” tugs at your heart when you least expect it.

‘Sanju’ review: A Question Mark of a Choice

Reading Time: 5 minutes In “Sanju”, director Rajkumar Hirani uses a carte blanche of clean chit to justify his choices of portraying actor Sanjay Dutt’s tumultuous life phases. That may make for good friendship, but not necessarily engaging cinema. But it is Ranbir Kapoor who, with a performance that’s nothing short of a stunning tour de force, makes this movie worth a dekko.

‘All the Money in the World’ review: Getty Disturbing Images

Reading Time: 5 minutes Director Scott and cinematographer Dariusz Wolski paint the screen with tones of tension, shades of noir, and ratchet up the heartbeat that much more. But the best lighting and atmospherics is when Getty is onscreen, the shades dark, temporally lonely, and enveloped in an impermeable wrap of green-bags and isolation. Actor Christopher Plummer lends an air of imperiousness that’s impenetrable and sometimes unfathomable – and you know he’s hiding an uneasy past all through for his character. That somehow, tragically, also justifies his own manic obsessiveness with money, estate, paintings, and deals.

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