Reading Time: 6 minutes Directors Anurag Kashyap and Vikramaditya Motwane whip up a fantastic first season for Netflix’s original content debut in India. Dividing the story-telling into two tracks, they add layers of conflicted and murderous characters who clash and collide, sparking off intense drama and hard-to-look-from away scenes. The action’s intense, the notes are grungy and the suspense an undercurrent to the main arc: the boiling cauldron of religion, politics, and power. Add to it an all-round superlative cast and an anxious background score, and you have a bloody winner.
Reading Time: 6 minutes Director Ari Aster’s “Hereditary” is a nerve-wracking and terrific addition to the skull cap of horror movies where the unravelling of a family is as mysterious as it is terrifying, and the boiling cauldron of secrets bubbles throughout its length, keeping you worried and anxious. Meanwhile in India, the censor board carries out its own act of dismemberment, unforgivably mutilating the movie beyond repair.
Reading Time: 4 minutes Director Jordan Peele skewers the dark, all too real face of racism and gentrification in a pulse-pounding thriller. But he also adds delicious layers of horror, terror, comedy, and nail-biting suspense. And yet, the questions “Get Out” raises are even more horrifying than its premise.
Reading Time: 4 minutes Director Abhishek Sharma sets very low ambitions and makes “Parmanu” a quasi-thriller-cum-patriotic fluff within the limited boundaries it operates. But, is this what co-producer and actor John Abraham was looking for?
Reading Time: 4 minutes Director Alex Garland creates psychedelic imagery and stunning visuals to narrate a story that’s mind-bendingly confounding as it is challenging. But no matter what you think of it, this philosophical horror makes you think.
Reading Time: 4 minutes In “Raazi”, director Meghna Gulzar creates a compelling conflict of emotions that rise far above the thrills, thanks in no small part to Alia Bhatt’s powerhouse of a performance.
Reading Time: 4 minutes As the protagonist on the qui vive, Isabelle Huppert is the movie’s stunning lighthouse, plunging you into her character’s darkest and deepest desire, while using her binoculars; or when she realizes who the rapist is, and walks a razor-edge line between fantasy and a terrifying roleplay. Huppert is why Elle is the crepuscular triumph it is. You want to give her a cinematic salute for this brave-heart-stopping performance. She trapezes with such strength, whipping out a searing act, exploiting and being exploited at the same time. She’s fiery, all fire as she burns with desire, and then all ice as she plots her revenge.
Reading Time: 6 minutes Every passing interview, Holden and Tench change too – their strengthening bond suddenly frayed, as Holden discovers an almost devious delight in manipulating his interviewees with empathy and sympathy, both at first forced, but as they go deeper, the line between analyzing them to joining them in verbal jousts that speak their language, shattering the sanitized questionnaire into shreds; straining the team’s tenuous ties to the point of breakdown. And in a brilliant turn, as Holden gets manipulative and pushes the boundaries of ‘accepted procedure’ he gets better and abrasive, even.
Reading Time: 4 minutes The director beautifully builds the characters and their personalities through evenings of drinks, dinner, morning tea, parties, and picnics, getting their hairdo, spectacle frames, clothes and the 70s rebel look as if she’s made you travel back in time. As each scene unfolds, the layers of interaction between each of them and how they impact others does too.
Reading Time: 6 minutes Long after it exits the cinema halls, Mom will be remembered for two things, primarily – apple pips and Sridevi’s