Lucknow Central’s biggest problem is that director Tiwari and co-writer Aseem Arora try to straddle too many tracks – combining Prison Break with Happy New Year to make another The Shawshank Redemption. Except for the music competition, every story and subplot traces its genesis back to this all-time cinematic classic that’ll forever continue to warmly generate life’s lessons even as it ponders over human nature and failings via Morgan Freeman’s soothingly powerful voice.
It was so with Anurag Mathur’s The Inscrutable Americans, where to me, the highlight was the letters Gopal wrote from the USA to his younger brother in India. And it was so with the photocopied page of a foreign magazine that I had in my possession, listing signage across the world, ostensibly meant to guide … Continue reading ‘Hindi Medium’ review: Nightmare on Ed. Street