In Vidya Balan do you find a carefully studied, thoughtful portrayal of a wife and a mother packed away amongst millions of others like her in the far-flung city suburbs, rushing through the morning routine to pack off her husband, Ashok (Manav Kaul) and son Pranav (Abhishek Sharrma, portraying all the angst and fun so naturally), adrenaline pumping, high steam pressure stewing to ensure they get their breakfast on time, and everything else ready for them to scoot out the house. In her act do you find the sudden listlessness of a mid-morning, the heartbeat quieter, the pace languid, the clew of her life sliding into a routine that could turn foggy with despair. Sulu, thankfully, is made of stronger stuff, and spends her day participating in dial-in radio contests, and actually winning along the way, an assortment of household items that may be useful or back-up as giveaway presents.
“You have one month to empty this kotha (brothel)!” says Ilias (Rajit Kapoor). Something told me that the repartee by Begum Jaan (Vidya Balan) would invoke dates and menses, and there it was. It wasn’t even particularly powerful, and it is this predictability that haunts director Srijit Mukherji’s eponymous Begum Jaan (Mrs. Jaan). Written by … Continue reading ‘Begum Jaan’ review: No Freedom at Midnight
In Kahaani, director Sujoy Ghosh turned the concept of the hunter and the hunted upside down, a la the much maligned but very entertaining Taking Lives – the final twist in the Angelina Jolie thriller very cleverly adapted to the noise and chaos of Durga Puja in Kolkatta. With the trailer of Kahaani 2 out, … Continue reading ‘Kahaani 2’ (p)review: A wowdunit?