Lucknow Central’s biggest problem is that director Tiwari and co-writer Aseem Arora try to straddle too many tracks – combining Prison Break with Happy New Year to make another The Shawshank Redemption. Except for the music competition, every story and subplot traces its genesis back to this all-time cinematic classic that’ll forever continue to warmly generate life’s lessons even as it ponders over human nature and failings via Morgan Freeman’s soothingly powerful voice.
Here’s a question that if you answer correctly, will immediately qualify you for an interview with India’s top-secret agency - it (the agency, not the question) is beyond the purview of all the listed, government-sanctioned ones, ostensibly craftier and more effective than all the armed forces put together. Ready? Here goes: You’ve caught the only … Continue reading ‘Naam Shabana’ review: Tap (to) see the Power